About William Meikle


William Meikle is a Scottish writer, now living in Canada, with twenty novels published in the genre press and over 300 short story credits in thirteen countries.

He has books available from a variety of publishers including Dark Regions Press, DarkFuse and Dark Renaissance, and his work has appeared in a number of professional anthologies and magazines with recent sales to NATURE Futures, Penumbra and Buzzy Mag among others.

His current top seller is the sci-fi novel THE INVASION with over 20,000 copies sold and counting. His recent novel THE HOLE reached #3 in the Amazon Horror charts and looks to be well on the way to being another big success story.

For details see the menu above or visit his Bibliography


THE EXILED

To catch a killer, John and Alan Granger will have to battle the Cobbe, a strange and enigmatic creature that guards a magical country parallel to our own. The bird is a creature of horrific power that demands a heavy price for entry into its world. The fate of two realms hangs in the balance… and time is running out...

DarkFuse | AMAZON | AMAZON UK

It's all about the struggle of the dark against the light. The time and place, and the way it plays out is in some ways secondary to that. And when you're dealing with archetypes, there's only so many to go around, and it's not surprising that the same concepts of death and betrayal, love and loss, turn up wherever, and whenever, the story is placed.

And in my case, it's almost all pulp. Big beasties, swordplay, sorcery, ghosts, guns, aliens, werewolves, vampires, eldritch things from beyond and slime. Lots of slime


BROKEN SIGIL

If you have the will, the fortitude, you can peer into another life, where the dead are not gone, where you can see that they thrive and go on, in the dreams that stuff is made of.

DarkFuse | AMAZON | AMAZON UK | AMAZON CA


I think you have to have grown up with pulp to -get- it. A lot of writers have been told that pulp=bad plotting and that you have to have deep psychological insight in your work for it to be valid. They've also been told that pulp=bad writing, and they believe it. Whereas I remember the joy I got from early Moorcock, from Mickey Spillane and further back, A E Merritt and H Rider Haggard. I'd love to have a chance to write a Tarzan, John Carter, Allan Quartermain, Mike Hammer or Conan novel, whereas a lot of writers I know would sniff and turn their noses up at the very thought of it.

CARNACKI: HEAVEN AND HELL

Meet an Edwardian occult detective who goes where no other gentleman will dare, venturing deep into neolithic barrows, into the crypts of ancient cathedrals and fighting the elemental powers of darkness on his own terms.

Meet Carnacki: Ghostfinder

Dark Regions Press (HBCK) | AMAZON | AMAZON UK


I write to escape. I haven't managed it yet, but I'm working on it.


Willie lives on Newfoundland with whales, bald eagles and icebergs for company.

When he is not writing he drinks beer, plays guitar and dreams of fortune and glory.

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